Marina Gadonneix, Rock and Sand, 2012, Digital C-Print contrecollé sur aluminium, encadré avec réhausse et verre, 126×150 cm, extrait de la série Landscape, vue d’exposition au CEAAC, 2020
Marie Quéau, Trajectoire (déflexion), Paris, 2015, 50 x 60 cm, extrait de la série Odds and ends.
Marina Gadonneix, Untitled (Gravitational Waves), 2016, impression pigmentaire
sur papier Hahnemühle Silk Baryta, contrecollée sur aluminium, encadrée avec réhausse et verre, 50 x 60 cm, extrait de la série Phénomènes.
Anne-Sarah Le Meur, Grande_deb_12, 2011, image fixe extraite de l’oeuvre générative OEil-Océan, 2007,
Courtesy de l’artiste et Galerie Charlot, Paris – Tel Aviv.
Gaëlle Cressent, Aube 1, 2018-2020, résine cristal et film iridescent sur panneaux de signalisation,
extrait de la série À l’aube rosée des nouveaux chemins.
Start date: 18.09.2020
End date: 22.11.2020
Based on the work of Johann Wolfgang Goethe, the “Traité des couleurs” published in 1810, the CEAAC brings together the works of eight contemporary artists for whom colors are not only materials entering into the representation of the world, but a reality in its own right, with its multiple modes of appearance, of manifest purity or magical sophistication. As part of a partnership with the Museums of Strasbourg, which evokes the figure of Goethe through a major exhibition presented at the Palais Rohan, CEAAC designs in a spirit of complementarity, a collective exhibition project that is proposed to reveal the influence of the work of the art theorist on current creation.
