The trajectories of my work involves embracing mediums and styles of other genres, visualizing and staging the process of such integration and expansion as a comprehensive and extensive methodology. The references of my works originate from various territories including multinational languages, own archive, found-chronology, Algorithmic essay, and public documentation, as well as even immaterial elements such as fabrication and irrational imagination. I intend to use painting not merely as a material subject but rethink of it as a medium of post-situation, and apply it in outlook such as video woven with painting, painting connected to the staging interior, and painting interconnected with data.
I have consistently presented works which reference the accumulative history of the image, in an artist book, exhibitions and projects.
